Forced to take a couple months off due to that all-encompassing life drain known as moving. I’m a bit rusty, but happy to be getting back to what matters: painting. Great pose yesterday but difficult because lighting sources were not well controlled and she was lit all over. Still, there are things about it I like. 12×16, oil on linen.
12 x 12, oil on canvas. 12 x 9, oil on linen. 2.5 hours each. Rather happy with the costumed portrait of the man. I’ve painted him a few times now, and he does great poses. The nude is coming along, but I couldn’t quite finish it. Amazing model. My first time painting her, and I always struggle the first time I paint someone. It’s as if my brain retains their features and proportions more and more, every time I paint them. So, WIP. This is the journey, as honestly depicted as I can do it. I’ve not had as much time lately to paint due to other pressing life issues, so maybe I’m a little rusty.
Trying to share the journey as honestly as possible. That includes paintings that are not always the best I can do. Yesterday, we had two models who moved a lot. I don’t quite have the skill level to compensate for that. Yet. Something to work on. Still, I think the costumed one (14×11) is a decent start and I rather like the nude (12×9). Both oil on linen.
Oftentimes, I do better when I put less pressure on myself and start a painting with a “whatever happens is okay” attitude. That happened today because I had 6 hours on this pose, double the usual time. I wasn’t sure what I wanted to do to counter the red, just couldn’t deal with another red and green painting today. So I went for the grey and burnt umber. Great model today; it isn’t easy to hold the same pose for six hours. Untitled, as of yet. 14 x 11, oil on linen.
This one is close to my heart. My family at the beach at my grandmother’s cabin. It is also the largest painting I’ve ever done. I did it for a class assignment; the vision, however, was strictly my own. The instructor did not touch the canvas, but did help by validating my choices and double-dog-daring me to go for a risky idea I had for painting the water. Taking the plunge, so to speak, :). “The Search for Sea Glass,” Whitestone Point, Au Gres, Michigan. Oil on canvas, 24 x 36.
It’s important to paint a lot. Some studies I throw in a drawer forever; others I finish later. Working at it is what matters most, not the result. I will likely finish these, though the nude will be hard since there’s no reference photo. There rarely is for nudes. Most models, understandably, do not allow photos for nude sessions. Great model today; it makes all the difference. I do not envision taking these paintings much tighter; I rather like them the way they are.