Who knows why some people inspire us to paint well and others don’t? The longer I paint, the more I suspect that it is a combination of a great pose and also my own personal level of intrigue with the model. I painted two paintings on this day. In the morning, I didn’t paint well at all, but in the afternoon … like a happy pill, the antidote appeared. One of my all-time favorite models was booked for the afternoon session. I find her super intelligent; a great combination of smart, thoughtful and nice. Big plus? She holds really still. And then this painting happened without much struggle. Pleased with it overall, but might do a couple tweaks; haven’t decided yet. Alas, no camera ever makes a painting look nearly as good as it does in real life, and Photoshop is woefully inadequate for helping. The contrast is always too much, no matter how you fiddle with it. The human eye is so much better than a camera. 18×14, oil on canvas. Can’t wait until she comes back!
Struggled with this session. Model’s skin, her dress, and the cover on her chair were all similar tones and values. Plus she was sick and kept saying she might hurl, which was distracting to the big sister side of me, as I ran round trying to get her mints, Coke and a bucket in case she lost her cookies. Other challenges: room was hotter than hell and glare on my palette made it hard to tell what I was mixing. The beauty of painting live, I guess. First world problems. Still, one of my favorite models and the painting does look better than the photo was able to capture. This model reminds me of Ophelia, an idea which I tried to incorporate into the painting conceptually. Looking forward to refining this study further. 11×14, oil on linen. Painted at the Scarab Club of Detroit. 2 hours.
Trying to share the journey as honestly as possible. That includes paintings that are not always the best I can do. Yesterday, we had two models who moved a lot. I don’t quite have the skill level to compensate for that. Yet. Something to work on. Still, I think the costumed one (14×11) is a decent start and I rather like the nude (12×9). Both oil on linen.
It’s important to paint a lot. Some studies I throw in a drawer forever; others I finish later. Working at it is what matters most, not the result. I will likely finish these, though the nude will be hard since there’s no reference photo. There rarely is for nudes. Most models, understandably, do not allow photos for nude sessions. Great model today; it makes all the difference. I do not envision taking these paintings much tighter; I rather like them the way they are.